Francois Louis Spectruoso Standart ML T350 chamber Mundstück Tenorsax

Jedes einzelne Francois Louis® mouthpiece bekommt ein Hand finish: tip, baffle, window, facing, front rail, side rails and beak Material Ein neues Komposit Material, "Grounds", dass ein hervorragendes Schwingungsverhalten produziert. Inspiriert von der Idee, ein modernes Material zu finden, welches eine Resonanz Verhalten wie Holz besitzt, mit absoluter Konsistenz, aber mehr Focus. Pflege Um an ihrem Mundstück möglichst lange Freude zu haben, reinigen Sie es regelmäßig mit einer weichen Zahnbürste und einem milden Spülmittel. Verbundwerkstoffe sind empfindlich gegen Lösungsmittel, vermeiden Sie diese auf jeden Fall. Obwohl das Mundstück Aus einem Material hergestellt ist, dass etwas stärker als Naturkautschuk ist, ist es nicht unzerbrechlich. Behandeln Sie daher ihr Mundstück immer mit großer Vorsicht.

Chamber

• The Medium Large Chamber  Ist ein "Ogival", Also ein spitzes Oval, ein eher traditioneller Type Kammer. Diese Kammer bietet  ähnliche Vorteile der Dynamik mit mehr Trennung im Spektrum zwischen den Höhen und den Tiefen. Ein eher luftige Sound, jedoch mit viel Druck. Das perfekte Mundstück für "Hard Bop".Eine Reminiszenz an den Sound der 50's, gepaart mit der Effizienz moderner Mundstücke.

Facings

• T 235 Is a 2.35 mm tip opening (92/00") equivalent to the traditional "6" opening. Combined with a medium facing length and a progressive facing curve. Very stable with enough flexibility to vary sound colors, fast response. Best fit with 2 1/2 to 3 1/2 reeds.
• T 260 Is a 2.60 mm tip opening (102/00") equivalent to the traditional "7" opening. Combined with a medium facing length and a soft facing curve. Great flexibility with a lot of projection and immediate response. Best fit with 2 1/2 to 4 reeds
• T 280 Is a 2.80 mm tip opening (110/00") equivalent to the traditional "8" opening. Combined with a medium short facing length and a progressive facing curve. This is the "universal" mouthpiece: very stable, centered pitch, small enough to be playable by good amateurs and students, big enough to put real amount of air and be playable by professionals. Lots of projection with bottom on the attack of the note, very precise. virtually every reeds fit, from 1 1/2 to 5.
• T 285 Is a 2.85 mm tip opening (112/00") equivalent to the traditional "8/8*" opening. Combined with a medium long facing length and a soft facing curve. Due to the longer facing curve, it brings more resistance and takes more air.(This make it feel "bigger") The soft curve gives it a lot of flexibility. This is the best mouthpiece for the professional player that needs to use all possibilities of dynamics, sound colors and range in one mouthpiece., without having to struggle too hard on a real big mouthpiece. Best fit with 2 1/2 to 4 reeds.
• T 315 Is a 3.15 mm tip opening (124/00") equivalent to the traditional "9*" opening. Combined with a medium long facing length and a progressive facing curve. Very well balanced and efficient, it keeps a well centered pitch with flexibility, lot of projection and a big fat low range "à la Ben Webster". For the player who likes to blow a lot of air without loosing control. Best fit with 2 to 4 reeds.
• T 350 Is a 3.50 mm tip opening (137/00") equivalent to the traditional "10*" opening. Combined with a long facing length and a progressive facing curve. Enormous sound, flexibility, projection, very fat low range, for the player who needs a total freedom of expression and is prepared to put a lot of air, having developed a good control of the embouchure/air stream balance

Alle Francois Louis "L TEN" Blattschrauben passen zum Tenor Spectruoso Mouthpiece. Jedes einzelne Francois Louis® mouthpiece bekommt ein Hand finish: tip, baffle, window, facing, front rail, side rails and beak

The High End “Spectruoso” mouthpiece is the FL “Signature” mouthpiece. It is entirely hand finished by FL himself , signed on every mouthpiece’s table and comes with a certificate of authenticity.  

Openings Comparative Chart  

It features :

• Perfect finishing of the baffle, tip, and side walls.
• Perfect connection of the side walls with the chamber.
• Perfectly adjusted front and side rails.
• Perfectly hand finished facing.
• Fine finishing of the body of the mouthpiece.
• Fine shining polishing of the beack.